Simpler Text version
A path I take in learning to pay attention to messages
from Gaia, is by way of developing my poetic consciousness. Slowly,
I am learning to listen (passively, through meditative silence and
actively through consensual absorbtion in whatever place I am in).
Earth sensitive poetry attempts to capture messages from
receptive states, with words. I think it's the nature of human
languages (some more than others) to escape the present moment and
act as containers for ideas - which are themselves, compact data
constructs - used as building blocks for even more complex and
constricted arrangements of information.
Still, I feel that minimal words can be used as one medium (along
with other static images like feeling symbols, and pictures and
especially, the development and redevelopment of more moving communal
forms of thought\feeling\spirit sharing, such as trance, dream sharing,
group arts and whatever else arises in the big problem - solving
adventures of the coming decades) for consciously interacting with all
who exist on this planet.
A problem which has come up for me, is that in translating images
and sound movement from one state of consciousness to another, change
of state amnesia occurs and so some of my poetry, which I call "First
Vibrational" poetry loses some of its energy and meaning between
states. Maybe that happens with all writing.
But I'm particularly aware that unless my vital energy state when
I read a F.V piece matches the energetic intensity I carried in my body
while recording it, that much is lost. I especially like live poetry
for that reason. But I have to be in an unusually safe environment to
express spontaneously with others since I'm a shy person.
This is a place to explore BioSpirit interface, with in-body poets
responsive to the moods and conditions of our planet through deep
ecological verse, whole, reverberating, shadowy, bright, green,
decaying and alive.